Introduction


"The only rock music to come out of Long Island is Billy Joel!"

 

That statement is nonsense. Long Island is full of music and has always contributed more than it's fair share to the national sound. Why is this fact not acknowledged? No, it's always "New York, New York." It is as if Long Island was merely a place from which to leave. Well, it's far more than that. Consider Simon and Garfunkle's "59th Street Bridge Song (Feelin' Groovy)". Whereas the nearest big city may be more romantic and appealing, it is, for the most part, a place to commute to as well as a destination.Long Island is one major point of departure.

Long Island is separated from Manhattan, to the east, by a narrow waterway known as The East River. This seems a rather inelegant name, yet it accurately establishes and simplifies one's coordinates in a city of numbered streets and avenues. On the west side of Manhattan lies the Hudson River and everyone knows that New Jersey is on the other side. Turn around and you face the boroughs of Brooklyn and Queens. Beyond is Nassau County and Suffolk County; suburbia and the beaches. For those who work in the city, this is a simple way to remember how to rush home to Lung Eyelan.

Manhattan, of course, is The Big Leagues. It is the hub of all major activity in the music business - the recording companies, the studios, the agencies and the venues. If you are a major player, you have a place in the city. However, it is a good bet that you grew up on the Island, or, at the very least, you have a weekend place on the East End.

During the early '50s, a migration toward the east began. The boroughs were becoming too intense an environment in which to raise the baby boomers. Overnight, the potato fields of Long Island yielded crops of single-family homes. Major thoroughfares mapped the land. Shopping centers and pizza joints replaced the plains and the pine forests. Nassau and Suffolk were no longer considered the hinterlands. As the sounds of Alan Freed, Murray The K and The WMCA Good Guys wafted east, the Island youth turned up the volume. When mom and dad yelled "turn that crap down", the kids moved into the garage. With all those garages, the rock explosion was inevitable.

 


(c) Richard Arfin 1987 Revised 2004 All Rights Reserved